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Samuel Ricke

J.S. Bach: Matthäus-Passion, BWV 244: VIII. Recitative: Aber am ersten Tage der süssen Brod

Samuel Ricke

3:00	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	30	8	6	92%
		24	0	8	5	97%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	30	8	6	92%
		24	0	8	5	97%
Continuo.		24	0	8	5	97%
Violone		24	0	8	5	97%
Evangelist.		16	0	6	4	79%
Violino I.		15	0	5	6	69%
		18	0	5	5	67%
Viola.		18	0	5	6	69%
Basso.		17	0	5	4	63%
Alto.		13	0	4	3	42%
Bassoon		21	0	6	4	42%
Soprano.		13	0	5	2	39%
Flauto traverso II.		12	0	2	3	29%
Oboe II.		13	0	2	3	29%
Flauto traverso I.		12	0	1	3	26%
Oboe I.		12	0	1	3	26%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: IV. Menuet - Trio - Polonaise

Samuel Ricke

10:40	Est. Play Time
125	Measures
	1,414Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.		19	18	5	6	80%
		19	0	3	5	49%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.		19	18	5	6	80%
		19	0	3	5	49%
Oboe I.		19	0	4	9	72%
Viola.		18	0	4	7	49%
Violino I.		21	0	3	9	49%
Violino II.		19	0	4	8	49%
Violoncello.		19	0	3	5	49%
Violone.		19	0	3	5	49%
Corno I.		10	0	1	8	48%
Corno II.		8	0	0	8	46%
Fagotto.		21	0	5	5	45%
Oboe II.		12	0	2	7	45%
Oboe III.		9	0	1	7	21%
Violino piccolo.		13	0	2	9	21%

Requiem in D Minor, K. 626, III. Sequentia: Tuba Mirum By W. A. Mozart

Samuel Ricke

3:08	Est. Play Time
62	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello ed Basso.		32	0	11	6	96%
Viola.		19	7	6	5	92%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello ed Basso.		32	0	11	6	96%
Viola.		19	7	6	5	92%
Violino I.		28	1	11	5	92%
Violino II.		20	2	6	5	92%
Tenore solo.		12	0	5	7	44%
Trombone tenore solo.		18	0	6	6	44%
Basso solo.		18	0	5	8	40%
Soprano solo.		9	0	2	6	32%
Alto solo.		12	0	4	7	27%
Corni di Bassetto in F.		14	0	4	4	27%
Fagotto.		15	11	5	5	23%

Requiem in D Minor, K. 626, V. Sanctus By W. A. Mozart

Samuel Ricke

1:29	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo		17	44	5	6	92%
		20	0	5	4	100%
View all 18 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo		17	44	5	6	92%
		20	0	5	4	100%
Basso		16	0	4	5	97%
Contrabasso		18	0	5	4	97%
Violoncello		20	0	5	4	92%
Fagotti		19	7	4	5	92%
Tenore		14	0	3	5	89%
Viola		23	0	6	5	89%
Alto		14	0	2	6	76%
Violino II		20	3	4	5	76%
Soprano		13	0	2	5	71%
Violino I		21	0	3	5	71%
Trombe in D		7	11	0	3	49%
Timpani in D, A		2	0	0	4	45%
Corni di Bassetto		10	0	1	4	43%
Trombone Alto		7	0	1	4	29%
Trombone Basso		13	0	4	3	29%
Trombone tenore		9	0	2	4	29%

Michael Haydn: Requiem in C Moll (pro defuncto Archiepiscopo Sigismundo), MH 155 - I: Requiem et Kyrie

Samuel Ricke

6:41	Est. Play Time
70	Measures
	2,953Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	78	8	8	100%
		22	0	8	5	100%
View all 21 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	78	8	8	100%
		22	0	8	5	100%
Bassi ed Organo.		22	1	8	5	100%
Contrabasso.		22	1	8	5	100%
Fagotto.		22	1	8	5	100%
Violino II.		29	0	10	8	100%
Violino I.		29	0	10	9	99%
Alto.		10	0	2	4	7%
		14	0	5	7	80%
Soprano.		16	0	5	9	76%
		6	0	1	4	4%
Trombone I.		13	0	4	7	74%
Basso.		3	0	1	3	4%
		17	0	7	8	73%
Tenore.		8	0	2	4	7%
		13	0	3	7	70%
Clarini in C.		8	8	1	6	70%
Trombone III.		17	0	7	8	67%
Trombone II.		13	0	3	7	64%
Trombe in C.		4	2	0	5	55%
Timpani in C.G.		3	0	0	5	49%

Mozart: Symphony No. 40 in G Minor, K. 550: I. "Molto Allegro"

Samuel Ricke

8:24	Est. Play Time
299	Measures
	4,393Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		34	11	15	8	97%
Violino II.		31	24	15	7	96%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		34	11	15	8	97%
Violino II.		31	24	15	7	96%
Violoncello.		29	0	13	6	90%
Viola.		28	44	11	6	90%
Contrabasso.		29	0	13	6	89%
Fagotti.		27	40	12	7	84%
Oboi.		27	52	12	8	62%
		27	60	12	8	77%
Clarinetti in B.		23	47	7	7	72%
Flauto.		21	0	7	8	69%
Corno in B.		6	0	0	6	44%
Corno in G.		7	0	2	6	37%

J.S. Bach: Matthäus-Passion, BWV 244: IV. Recitative & Chorus: Da versammleten sich die Hohenpriester

Samuel Ricke

3:46	Est. Play Time
49	Measures
	1,650Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
View all 32 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
		14	0	0	3	12%
		26	0	11	7	94%
Violone.		14	0	0	3	12%
		26	0	11	7	94%
Continuo.		26	0	11	7	94%
Tenore.		19	0	7	6	71%
		10	0	1	3	12%
Viola.		20	0	6	7	63%
		7	0	0	3	12%
Violino I.		20	0	6	6	63%
		13	0	0	3	12%
Violino II.		10	0	2	3	12%
		18	0	5	6	63%
Basso.		12	0	0	3	12%
		19	0	6	5	61%
Alto.		12	0	4	4	35%
		7	0	0	3	12%
Fagotto.		14	0	0	4	12%
		24	0	8	5	35%
Oboe I.		8	0	1	3	12%
		14	0	4	5	35%
Oboe II.		16	0	4	4	35%
		12	0	2	3	12%
Soprano.		7	0	1	3	12%
		14	0	4	5	35%
Flauto traverso I.		19	0	7	4	33%
		14	0	0	3	12%
Flauto traverso II.		19	0	7	4	33%
		14	0	0	3	12%
Organo e Continuo.		14	0	0	3	12%

Mozart: Symphony No. 40 in G Minor, K. 550: II. "Andante"

Samuel Ricke

12:38	Est. Play Time
125	Measures
	2,312Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.		26	0	10	6	98%
Violino II.		29	4	11	8	97%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.		26	0	10	6	98%
Violino II.		29	4	11	8	97%
Violino I.		34	1	15	8	96%
Contrabasso.		25	0	10	5	90%
Violoncello.		26	0	10	5	90%
Fagotti.		25	25	9	7	57%
Clarinetti in B.		26	29	9	7	53%
Oboi.		23	26	10	5	35%
		23	34	11	7	52%
Corni in Es.		11	10	2	5	48%
Flauto.		19	0	9	7	47%

Michael Haydn: II. Dies Irae - Requiem in C Moll (pro defuncto Archiepiscopo Sigismundo), MH 155

Samuel Ricke

11:37	Est. Play Time
291	Measures
	6,237Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassi ed Organo.		33	0	12	7	100%
Contrabasses		27	0	9	7	100%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassi ed Organo.		33	0	12	7	100%
Contrabasses		27	0	9	7	100%
Fagotti.		27	0	9	7	100%
Violino II.		29	0	11	9	100%
Violino I.		30	2	13	10	99%
Organo.		23	153	9	6	98%
		27	0	9	7	98%
Soprano.		18	0	7	8	69%
Alto.		16	0	6	8	69%
Tenore.		18	0	7	8	68%
Basso.		21	0	9	7	64%
Trombone I.		16	0	6	7	51%
Trombone II.		16	0	5	7	50%
Trombone III.		19	0	7	7	49%
Clarini in C.		8	9	2	7	34%
Trombe in C.		3	2	0	5	24%
Timpani in C.G.		2	0	0	5	21%

J.S. Bach: Mass in B Minor, BWV 232: VIII. Confiteor - IX. Et expecto

Samuel Ricke

8:45	Est. Play Time
251	Measures
	5,309Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		21	2	9	5	98%
		33	4	14	6	100%
View all 21 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		21	2	9	5	98%
		33	4	14	6	100%
Continuo.		25	0	9	4	100%
Fagotti.		25	0	9	4	100%
Violone.		25	0	9	4	100%
Alto.		22	0	10	5	90%
Soprano II.		20	0	7	5	88%
Tenore.		20	0	9	5	87%
Soprano I.		21	0	8	5	87%
Basso.		21	0	8	6	75%
Flauto traverso I.		18	0	1	3	35%
Flauto traverso II.		17	0	3	3	34%
Oboe I.		17	0	2	4	32%
Viola.		19	0	4	3	32%
Oboe II.		13	0	1	3	31%
Violino II.		16	0	1	3	31%
Violino I.		19	0	2	4	31%
Tromba I.		12	0	1	5	24%
Timpani.		3	0	0	3	24%
Tromba II.		10	0	1	5	21%
Tromba III.		6	0	0	4	20%

J.S. Bach: Magnificat in D Major, BWV 243 - I. Magnificat anima mea

Samuel Ricke

4:05	Est. Play Time
90	Measures
	2,536Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.		34	0	11	3	96%
Flauto traverso I.		20	0	4	6	92%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.		34	0	11	3	96%
Flauto traverso I.		20	0	4	6	92%
Flauto traverso II.		18	0	3	5	92%
Oboe I.		17	0	3	6	92%
Oboe II.		15	0	4	6	92%
Viola.		18	0	4	3	92%
Violino I.		23	0	5	3	90%
Violino II.		20	0	5	4	90%
Tromba in D.		12	0	1	6	80%
		11	0	1	3	64%
		13	0	1	5	64%
Timpani in D.A.		2	0	0	3	61%
Soprano I.		13	0	3	5	48%
Soprano II.		14	0	2	7	47%
Alto.		15	0	4	5	46%
Tenore.		12	0	2	5	44%
Basso.		17	0	3	4	41%

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